With the discharge of Catherine Breillat’s effortlessly stunning and scandalous “Final Summer time,” the Unloved appears again on the paroxysmal finish of Breillat’s second interval as a filmmaker, after her abrasive Seventies output, and earlier than her flip to fairy tales, which appeared to open her to a sensitivity she solely hinted at in works as numerous as “Fats Woman” and “36 Fillette”. “Anatomy of Hell” is the ne plus extremely of her vicious autobiography. Delicate viewers ought to be warned, there are pictures right here meant to shock. However do not blame me. Blame some of the polarizing artists of the final half century.
