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Director Todd Phillips unpacked Arthur Fleck’s stunning realization on the finish of Joker: Folie à Deux in a brand new interview with Leisure Weekly. In accordance with Phillips, Fleck realized he by no means actually needed to be the anti-institution hero he turned, so he shed that false identification. The director acknowledged:
He realized that every part is so corrupt, it’s by no means going to alter, and the one approach to repair it’s to burn all of it down. When these guards kill that child within the [hospital] he realizes that dressing up in make-up, placing on this factor, it’s not altering something. In some methods, he’s accepted the truth that he’s all the time been Arthur Fleck; he’s by no means been this factor that’s been put upon him, this concept that Gotham folks placed on him, that he represents. He’s an unwitting icon. This factor was positioned on him, and he doesn’t wish to reside as a pretend anymore — he desires to be who he’s. The unhappy factor is, he is Arthur, and no person cares about Arthur. [Lady Gaga]’s Lee by no means says Arthur [until she leaves him in the end]. [She’s] realizing, I’m on a complete different journey, man, you possibly can’t be what I needed you to be.
Joker: Folie à Deux is at present taking part in in theaters.
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Supply: Leisure Weekly
This text covers a creating story. Proceed to examine again with us as we will likely be including extra data because it turns into obtainable.
